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LISA PIAZZA Fairyland

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A young couple, a little girl, and a seaside carnival come together in this short piece by Lisa Piazza. They come together and they come apart, while the mother who narrates the piece ponders the funhouse-mirror quality of the new land she finds herself in after divorce.

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GrubStreet STORIES FROM GRUB STREET'S WRITE IN

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On May 19, 2017, GrubStreet hosted Boston's first Write-In. The Drum was on the scene to record some of the many stories told by recent immigrants and refugees. Here are stories by Yanley Francois, Zach Ben-Amots, U-Melgn ‘Mhlaba-Apebo, Dana Lopes, Carolyn De Jesus, Christelle Narcisse, and Aseret Laparra. Write-In audio was recorded by Ilya Methot and Jordan Fischer.

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Josh Sheridan Faith

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In Josh Sheridan's complicated story "Faith," a woman negotiates the hypocrisy and exploitation of a small religious group. Whether you see the group as a cult or a religion, and whether you see the woman as a heretic or a believer will depend on your own ideas about faith. But Sheridan renders vividly the tense and passionate world in which his unnamed character wields the power of surrender and control.

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VAL MALOOF Parking Garage Late at Night

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How fearless can you be? How fearless can you afford to be? In the "Parking Garage Late at Night" of Val Maloof's flash fiction, one woman's fear and imagination twine together as she faces danger. Maloof explores how the story the woman tells herself and the stories she's been told all her life--by her mother, by society--combine to save or abandon her.

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ALYSIA ABBOTT Letting Him Go

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Alysia Abbott's essay tells the story of romantic risk--the risk of letting someone go in the hope and belief not only that it's the right thing to do, but also that it may be the only way to hold on. A Cat Power song, a striped shirt, and a Ukrainian restaurant all play a role in this tale of love.

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JO-ANN BEKKER Riptide

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The narrator of Jo-Ann Bekker's "Riptide" insists we can believe her. 'Believe me when I tell you,' she says, many times. The story asks us whether we can trust this tale of infidelity, and whether even the woman telling us the story is certain of anything beyond the strong pull of desire.

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