A young couple, a little girl, and a seaside carnival come together in this short piece by Lisa Piazza. They come together and they come apart, while the mother who narrates the piece ponders the funhouse-mirror quality of the new land she finds herself in after divorce.
One City One Story: Relativitydownload
Our partners the Boston Book Festival chose Daphne Kalotay’s “Relativity” as the selection for the 2017 One City One Story project. The story appeared in print--for the first time--in free booklets available throughout Boston. But you can listen to Daphne read it aloud herself here--and only here--on The Drum.
A Nigerian woman's domination by her new husband forms the narrative of Hannah Onoguwe's "The Housewife" as, step by step, Aramide faces more and more restrictions--on what she can wear, whom she can visit, and finally where she can go. But confined to her house, visited only by the generator repairman, and allowed out only to have her fidelity tested by priests, Aramide discovers ways to subvert her husband's authority. Onoguwe's story brings surprise and delight in its lively telling.
In Josh Sheridan's complicated story "Faith," a woman negotiates the hypocrisy and exploitation of a small religious group. Whether you see the group as a cult or a religion, and whether you see the woman as a heretic or a believer will depend on your own ideas about faith. But Sheridan renders vividly the tense and passionate world in which his unnamed character wields the power of surrender and control.
Parking Garage Late at Nightdownload
How fearless can you be? How fearless can you afford to be? In the "Parking Garage Late at Night" of Val Maloof's flash fiction, one woman's fear and imagination twine together as she faces danger. Maloof explores how the story the woman tells herself and the stories she's been told all her life--by her mother, by society--combine to save or abandon her.
The narrator of Jo-Ann Bekker's "Riptide" insists we can believe her. 'Believe me when I tell you,' she says, many times. The story asks us whether we can trust this tale of infidelity, and whether even the woman telling us the story is certain of anything beyond the strong pull of desire.