Issue 46. March 2014
A red spaghetti-strap dress and blue-suede Doc Martens set Dinah apart as she walks through a small southern town looking for a wedding dress. But it's not just the clothing that doesn't fit; it's the music, too, that isn't quite the right accompaniment she wants for her life. Dinah lives on the flip side, the back side of "Blue Suede Shoes" in this story by Darlin' Neal about a woman teetering between maturity and childishness, weakness and independence.
Zombies, weapons, and terrors of a darker, more pervasive sort: these are the subjects of Jill McDonough's poems "Horrors All Around" and "Also, Homemade Flamethrowers". What are the threats, McDonough's work asks, and do they come from within or beyond us? McDonough offers answers, too, in her interview with Kirun Kapur.
The balky knobs on a Czech stove, the quirky signage on a Prague building, or the smile of a stranger on a train: these are the starting points for Allison Williams' essay about decoding the mysteries of life abroad. But more than geographical foreignness, Williams writes of the potential estrangement from one's partner and from certain crucial parts of one's identity. In "Courtesies," she explores how we navigate as we try to turn the right way.
“Another thing of Zinfandel. We’re headed for the Coast," says the narrator of Jonathan Gotsick's "Wing Woman" when she agrees to go along with her recently-divorced friend to assume the story's title role. Toni escorts Shelley on a journey of escape and adventure rendered with vivid and particular--and humorous--detail. Gotsick's narrative leads the two women to an aging rock band and to a final performance whose bombast reveals the story's poignant heart.